Darboven and the Semiotic, Part III:
[T]he semiotic processes themselves, far from being set adrift (as they would be in insane discourse), set up a new formal construct: a so-called new formal or ideological "writer's universe," the never-finished, undefined productions of a new space of significance (134-35).
[T]hough poetic language unsettled the position of the signified and the transcendental ego, it nonetheless posits a thesis, not of a particular being or meaning, but of a signifying apparatus; it posits its own process as an undecidable process between sense and nonsense, between language and rhythm..., between the symbolic and the semiotic (135).
--Julia Kristeva, "From One Identity to an Other," Desire in Language: A Semiotic Approach to Literature and Art, trans. Leon S. Roudiez, Thomas Gora, Alice Jardine (New York: Columbia University Press, 1980): 124-147.PHOTO: Hanne Darboven, "Today Crossed Out, a Project by Hanne Darboven", Artforum XXVI/5 (Jan. 1988): 72.
(Click on 17 below for part two of Kristeva's text; click on 16 for part one, the introduction to these texts.)
For introductions to the major principles of Hanne Darboven's work, please click on the days of the week (e.g. M, T, W). For additional information, click on another date of the month.